a map of hyper-space

Talking not Doing

Category: technique

Thoughts about projects and last day of term fun. (The pix)

 

A long time coming…

I finally managed to print two of the origami pieces that I started in the autumn and covered in Al tape at new year. They were printed black with a touch of blue. The second print has more layers and the ink didn’t pick up quite as well as it should.

MER

Big plate – work in progress

As dry point is a quick process part of this half term was to make a series of related prints. Lat summer I managed ‘to contemplate a tangled bank’*, but this time I haven’t managed anything as comprehensive.

The plates have got bigger, and more self involved. Read the rest of this entry »

Recycling

You might recognise the plate used in this post from last year. Although it’s been moved on from there a little bit. Read the rest of this entry »

Upcycling – the road not travelled

One thing the laser cutter does really well is cut out what every lines you give it. That’s because its computer controlled, and so works as well as any tool that isn’t hand guided. Here a bunch of circles, ellipses and rectangles were drafted directly into the laser’s software and cut out. It is then possible to manipulate the resulting shapes as you like.

these shapes reassemble into a 28 x 32 cm rectangle

Read the rest of this entry »

Upcycling – Part 1

Knocking around the print studio at Morley college for the last year has been a big red box. It’s actually a laser cutter and one the staff have been reluctant to let the students play with – what with the fire risk and blinding hazard and all.

Over  the first three weeks of December, the department have run a short course of relief printing with an exploration of the laser cutter’s capacity at the heart of it. Read the rest of this entry »

Two colours – b/r

Here are some of the Blue/red prints with two colours on them. I finally got to try out some disrupted grounds (which will be plates 9 – 12). So I’ll try to explain how that one works when we get to it. Read the rest of this entry »

Blue proofs

I could write lots more about these plates and processes, but not right now.

MER

Some proofs of plates

it took a while to sort out the pressure on the letterpress – the hazard of working with squashy materials. I used red for most of the proofs, because black is boring and the blue ink gets everywhere. Read the rest of this entry »

Constraints and possibilites

This is my excuse and I’m sticking to it – the contents of this post has distracted me from posting regularly and keeping you all up to date with my activities.

Last summer i dropped into the mix a selection of abstract, colour field type images, without much explanation. The earliest images date back to around 2003-4 when I was still a college studying weaving. Since then they’ve been refined and pared down and reinterpreted and played around with. Sometimes I can think about them in terms of field, column* and strike, other times its – meh, or okay.

*Lately I’ve been thinking absence is a better term than column.

There’s an opportunity coming to investigate different etching techniques and I thought this subject would be appropriate. So I began to fill a new sketch book, all 120 pages, with new work. Read the rest of this entry »